Rosette Gault high fire stoneware and porcelain pottery booth at a forest craft fair on Martha's Vineyard Summer 1975.

Prior to this I worked/lived at Anderson Ranch, Aspen as potter 1971-1972- in the time of when Colorado Mountain College was the administrator of the Ranch. This was before the now prominent and famous Ranch reorganized and became what it is today.

My ware at Tacoma WA Potters Sale 1977. I entered MFA Ceramics for more formal and technical claybody and glaze calculation- help meet expenses by pottery sales and also working in University of Puget Sound Print shop as layout artist illustrator. In graduate school my research on adding pulp as substitute to nylon was a stinky royal flop because in part I lacked the proper mixing out of lumps. My search for a way to heal cracks began and would take years.... Highest level experts explained the logic of why it was impossible! 

In 1980 I continued my practice as a studio potter at Pottery Northwest in Seattle. I made do with best available porcelain etc no fiber.  Later set up teaching studios and also studio open house sales.

Serving plate- hand wheel thrown china clay about 1986 - similar to hundreds of production ware I made for my booth with thousands of hand painted tile at Seattles Pike Place Market. The need to work quickly and efficiently was perfect practice in brush control which decades later I would use in watercolor.  About 14 in diameter. Collectors may recognize-remember this line. But by then I was well on the way selling my editions of ceramic art nationwide in fine craft museum stores, Nieman Marcus and such.  Photo by artist. 


Handbuilt Ceremonial vessels- Memorial for Rites of passage and the meeting of earth and sky. Rosette Gault in Seattle Pioneer Square studio 619 Western photo by Davis Freeman about 1988

I'm including this tidbit from my archive is anyone beginning in clay and pottery and just learning how to handle clay might want to see actual proof what my pots looked like and still do.
And if time permits will expand visuals as some designs themes that sold pretty much right out of the kilns during that decade. 

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